The Snowman Three Doors Down is now available from Black Scat Books! It has 24 stories! It’s 246 pages! Hapless characters slog through tangled plots and formal constraints in this bracing collection. Will the Chromatologist find the shade of green that identifies the adulterous cosplayer? Will a group of tipsy scholars discover the secret to Ben Jonson and Thomas Nashe’s suppressed play? Will Gumball Gaffigan make it safely to Georgeville? And will Chicky and Chalky finish that snowman? Laughs and bewilderment await you! It can be found on Amazon, or from Black Scat Books.

Here’s a keyboard reduction of the 8th string quartet (see last post). Oh, those spheres!

Athanasius Kircher gave a brief realization of the music of the spheres in Musurgia Universalis (1650). Saturn, Jupiter, and Mars correspond to the soprano; the sun to the alto; Venus, Mercury, and the moon to the tenor; and the earth to the bass. I expanded his four measures to a hundred. He suggested that the planets orbit through the modes; I added key changes and ornamentation.

This is inevitably ambient. I suspect a concert audience would not be entertained. If you like, you can make it longer by repeating the first 96 measures a few times, and then closing with the last four.

Black Scat Books has released a free Peek-A-Book of “An Interview with Horace Ballantine,” from my upcoming collection The Snowman Three Doors Down. The veteran cartoonist has to contend with an interviewer who never heard of comic strips, and it’s not easy for either of them. You can download your PDF here.

My less-than-first string quartet collects a few pieces from my teens that I thought worth saving. Here, for example, is a rollicking polytonal number I wrote when I was 16 (recopied for legibility).

A piano piece that requires a lot of jumping around the keyboard. I used it in some of my shows with Bill Irwin in the ’80s.

Here’s another story from my upcoming collection, The Snowman Three Doors Down. In “Gumball Gaffigan,” our protagonist goes to great lengths to procure and promote his favorite food. At a crossroads, he meets his old friends Gerhardt Goldicote, Gabby Gilfeather, and Hilarion Hachementier, all on quests of their own. Many things could go wrong. Here’s how it begins…

GUMBALL GAFFIGAN

Gumball Gaffigan awoke in a cheery mood.
“My, but it’s sunny out,” he yawned, tossing off the quilt and stretching his limbs. “I wonder what time it is.”
The clock cuckoo popped out to chirp, “It’s morning!”
“That’s not very specific,” Gumball observed.
“It’s good enough,” the little wooden bird retorted. “You have no appointments. You just wander around all day looking for gumballs.”
“A man must eat,” Gumball said.
“Well, bring back some wooden caterpillars if you think of it,” piped the cuckoo, retreating to its sanctum.
Gumball pulled on his shirt, pants, and sandals, and donned a cap to shade his nose, which was sensitive to the sun.
He locked his shed, and strolled out onto Main Street. There he met his friend Gary, who was leaving his shed too.
“Morning!” said Gary. “Out for gumballs?”
“You bet!” Gumball answered with an amiable smile.
Graziella Gottfitz approached from the other direction. She smiled coquettishly from under her twirling parasol.
“I know where you’re headed!” she simpered, pointing a soiled glove in mock accusation.
“My habits are predictable,” chuckled Gumball.
Gumball turned the corner onto Subsidiary Street, murmuring, “I’ll bet there’s a machine here.”
His grandmother, Granny Gaffigan, waddled out from her shed, and glared at him disapprovingly over her unifocals.
“And where might you be going, young man?” she asked sharply.
“I’m gumball bound,” said her grandson.
“What do you do with all that candy?” she asked.
“I make vegetable stock,” he explained.
“Gumballs aren’t vegetables,” the old woman protested.
“They’re made of plants,” Gumball said. “Sugar, dextrose, corn syrup, malic acid, glycerine, tapioca dextrin, carnauba wax: all nature’s bounty from the good green earth.”
“You need a more varied diet,” she said.
“The gumball is a sphere,” he replied, “like the earth that is our home, the sun that lights our days, the moon that guides our nights. Its center is in the middle, and its circumference equidistant around it.”
“My daughter didn’t raise you right,” grumbled his mother’s mother as she waddled back into her shed.
“Aha!” cried Gumball, as he sighted a machine. “Come to papa!”

We have here another excerpt from my upcoming collection, The Snowman Three Doors Down. In “Herbert’s New Profession,” our protagonist chooses a rather unlikely job to earn some extra money. Here’s how it begins…

HERBERT’S NEW PROFESSION

My name is Herbert Shrike. I’m 75 years young now, as of my last birthday. I’ll be 76 soon. I retired several years ago, after working most of my life for Quonset Gas and Electric. I was in the accounting department. It wasn’t exciting, but it paid the bills.
And that’s getting to be a problem now. Believe me, it’s not easy living on a fixed income. Prices keep going up, even though they say inflation isn’t too bad these days, and it’s harder and harder to stretch that check to the end of the month. I never married or anything like that, so I don’t have kids to help me out when I’m short, like some people do.
Naturally, I started thinking about how I could supplement my income. I’m not too handy, particularly with the arthritis, and my memory isn’t what it used to be. Sometimes I can’t think of a word that I want, and that kind of thing. So I guess I need a job that doesn’t take too much skill or intelligence.
That knocks out a lot of possibilities. And you need to provide some kind of service. If someone’s paying you, they want something for their money. That’s just human nature, and is kind of basic to our economy. But after some thought, I came up with what might be a workable idea. Maybe I could become a prostitute.
There are pros and cons to the idea, of course. There are pros and cons to every idea. I’ll get the cons out of the way first, so I don’t have to dwell too long on the negative. I like to stay positive.
First of all, I’m a man. Most of the prostitutes I’ve heard about, from watching TV or movies, are ladies who sell their services to gentlemen, and I’m a gentleman who would be catering to ladies. But then, times have changed, and the relationships between the sexes are different now than when I was young. They’re changing all the time. Maybe it’s not as much of a problem as it seems.
Second, I might be considered too old for the job. I’m the first to admit it. Most prostitutes are much younger, and many people, both men and women, consider younger people more appealing. But there may be women who are looking for the experience and dignity of an older man. You never know until you try.
Third, I’m not conventionally attractive. Even when I was younger, ladies didn’t find me particularly handsome. I certainly didn’t look like the movie stars they always swooned over. I can’t think of their names right now, but I do know there wasn’t much resemblance. Objectively, I can’t say that I’ve improved with age. I’ve gotten thinner on top and thicker in the middle, which is what happens when you get older, and I think my nose has gotten even bigger. But I’m not deformed or anything, and I’m sure I’d be acceptable under the right circumstances.
Fourth, I’m not particularly experienced. I had sexual relations with a few women when I was younger, but not many, perhaps because I’m not conventionally attractive, as I mentioned above. Those relations were short-lived, and usually involved heavy drinking. And I’ve never actually visited a prostitute, so I have no experience as a customer in the business. I’ve seen a lot of movies and TV shows about them, though, so I do have some practical knowledge.
Those are the cons. Now for the pros.

The February issue of Le Scat Noir awaits you! This one contains the latest page of my musical instrument drawings, my story “The Snowman Three Doors Down,” and many other delights by other people! You can find it here.

My upcoming collection, The Snowman Three Doors Down, also includes a few tales in verse. I should add that I write in strict verse forms simply because I like formal constraints. Here’s the beginning of “Pan and Kettle,” originally written for a nonsense issue of The Black Scat Review.

PAN AND KETTLE

Beneath an oak two figures sat,
Renowned in myth and fable.
The forest was their habitat,
Their odor like a stable.

They couldn’t help it that they stank,
And that the smell was numbing.
They lived without a water tank,
Bereft of basic plumbing.

These creatures were the Great God Pan
And his assistant Kettle.
They bore those names since time began,
Though they were flesh, not metal.

The Great God Pan was tall and hale,
A mix of goat and human,
But Kettle was anemic, frail,
And looked like Harry Truman.

When Kettle went to gather grubs,
As was his master’s order,
Pan settled back against the shrubs
To practice his recorder.