I played a bit part as a character called “Lute Guy” on the eighth episode of the TV show Ed. This was back in 2000; the episode was called “The Whole Truth.” I guess it’s still airing somewhere, as I get occasional residual checks.

I wrote “Bimbo & Bombo” back in 2003, after a visit to the Alchemical Museum in Kutna Hora, in the Czech Republic.  I read it occasionally at readings; and toyed with the idea of illustrating it.  Finally, I did, in 2011, and presented it at a “Carousel” show.  Bimbo and Bombo travel through air, water, earth and fire, but, like most of us, fail to learn much from the world.

White Knuckle Sandwich organized two evenings of ukulele bands at Joe’s Pub in May 2001.  This was, mind you, before the uke became so popular.  Anne booked the bands, Jen designed the card, I came up with the title — New Uke, New York. And, of course, we all played.

George Kuchar’s 1997 video, The Exiled Files of Eddie Gray, was somewhat of a return to his earlier film, The Corruption of the Damned. Larry Leibowitz and Floraine Conners were reunited onscreen; and John Keel, who had played a bit part, was interviewed in his apartment.  I portrayed a Keel expert in an interstitial segment — assisted, of course, by Eddie Gray.

I’ve often given talks on the visionary painter and pulp writer, Richard Shaver.  The one I did at Brooklyn’s “Four Walls” gallery was the most elaborate.  Mike Ballou made wall sconces using Shaver’s rock photos; we hung a tree with Shaver publications; and I spoke within a charming fake cave.

Millennial Mouthful was White Knuckle Sandwich’s millennial extravaganza, in December 1999.  I wrote a new song for the occasion, “Y2WKS”; we had slides, videos, and special appearances by Brian Dewan and Linda Mancini.  Anne and Jen showed their smutty slideshow, “The Milkman Cometh”; Brian joined me for a two-autoharp arrangement of my song “Make the Angels Go Away.”

Here’s a postcard I designed, for a gig that White Knuckle Sandwich did at the Duplex, back when we were doing that sort of thing.

Jim Torok paints remarkable miniature oil paintings; he did this portrait of me sometime back in the ’90s.

Helen Dannenberg put on a concert of her dances at the Margaret Jenkins Dance Studio, in San Francisco, in November 1982.  I provided music for “Fine Wishes, Fine Dances, Good Life, Good Luck,” drawing upon a large assortment of percussion instruments and noisemakers.

Michael Smith developed a children’s show in the ’90s, and I was invited to provide music.  I loaded a piano with percussion and sound effects, and had a fine time.  A number of people were also on board through its many changes, including that notable puppeteer, Alison Mork.  Mike and I decided at some point that we would rather do childish humor for adults, and switched to the grown-up crowd.