What’s Christmas without frankincense? I wrote this for Meg Reichardt’s annual Holiday Recording Party, and recorded it with Brian Dewan at the controls. It marks my debut on the bass recorder. Here’s the first page, and you can listen to it here.

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Some music for psaltery and harpsichord: a diatonic melody with chromatic accompaniment.

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A lively piece all in the treble register, for sopranino recorder, piano, and desk bell. “Yet” is a word with many meanings; among other things, it’s the antonym of “not yet.”

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A quiet piece for Bb whistle and percussion. The Bb whistle is lower than the standard instrument in D; it’s like the viola to the D’s violin. No percussion sound is repeated.  

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Three songs with words by Edna St. Vincent Millay: “Song of Shattering,” “Spring,” and “The True Encounter.” Here’s the beginning of “Song of Shattering.”

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A piece for two melody instruments and keyboard.

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A brooding piece for bass recorder and piano.

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Here’s another study in wet tuning, the practice of slightly detuning two pitches to give a richer sound. It’s often used in accordions. Here, I detune double melody strings on a chord zither. As in the diatonic study, I offer two possibilities.

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Wet tuning is the practice of slightly detuning two pitches to give a richer sound. It’s often used in accordions. Here, I detune double melody strings on a chord zither. And I offer two possibilities.  

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This interlude uses five pitches around middle C: 250, 255, 260, 265, and 27o Hz. I retuned a chord zither, but a digital keyboard would also work.

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