Back in 1988, I used to perform this version of Hamlet’s soliloquy, in which each word is followed by a cartoonish sound effect. It was, I recall, fun to perform, difficult to memorize, and took a long time to set up. Here’s how it begins.
Entries from March 2012
March 27th, 2012 · 1 Comment
March 16th, 2012 · 1 Comment
The “Nocturne” is based on the randomized diatonic four-pitch chords I’ve used in several pieces. Seven of these chords were used for the left-hand part. A set of seven numbers gave the number of repetitions of each chord (6215734) and the key of each chord (7623154: BECGFAD). They were then arpeggiated, in the familiar nocturnal […]