In this song from “Doug and Mike’s Adult Entertainment,” I gave the recipe for our signature cocktail, the Gibsonetto, while Michael Smith followed the directions. It was a Gibson made with Amaretto instead of gin; in the puppet show that followed, Doug and Mike explained to their horrified guests that “it’s really not that sweet.”

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What’s Christmas without frankincense? I wrote this for Meg Reichardt’s annual Holiday Recording Party, and recorded it with Brian Dewan at the controls. It marks my debut on the bass recorder. Here’s the first page, and you can listen to it here.

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Some music for psaltery and harpsichord: a diatonic melody with chromatic accompaniment.

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A lively piece all in the treble register, for sopranino recorder, piano, and desk bell. “Yet” is a word with many meanings; among other things, it’s the antonym of “not yet.”

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A quiet piece for Bb whistle and percussion. The Bb whistle is lower than the standard instrument in D; it’s like the viola to the D’s violin. No percussion sound is repeated.  

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Three songs with words by Edna St. Vincent Millay: “Song of Shattering,” “Spring,” and “The True Encounter.” Here’s the beginning of “Song of Shattering.”

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A duet for two monochords, based on dividing the strings by Sophie Germain and safe primes. (A Sophie Germain prime is any prime for which 2p + 1 is another prime, and that second prime is the safe prime. So, 5 is a Sophie Germain prime, and the safe prime is 11.)

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Two monochords play a duet, using segments of the string that are divisible by eleven.

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A piece for two melody instruments and keyboard.

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A brooding piece for bass recorder and piano.

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